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Anomalies Museum

by Peristaltic Movement

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1.
LUNATIC CHILDREN (Rômulo Ballestê) See my opaque eyes shattered across the floor Hear my mute scream in the shadow swaying across the wall Lunatic thoughts from a lunatic humankind Candid child sweetly forsaken upon the spirals of it's own hands The windows of my senses are locked I feel my skin It’s turned into my mutilated body I'm not blind, it's much worse, I'm alive I live as a prisoner inside my own world, My mouth is turned inside The silence of brutal unreason is imposed Words, I unbosom them only to myself My vomit denounces the loathe for your gestures I'm the error denied Endure your own sores The meaning of my insistence is to evidence The mistake and uselessness of your existence Before the human dread in realizing one's life I seek way a of contact - desperate way with external reality: I defecate on your bashfulness
2.
ANOMALIES MUSEUM (Rômulo Ballestê and Luiz “Cliff” Dorea) An impetous glance you throw at These ignominious feats From unowed icons, whose persuasive senselessness Thus sip that ordinary plasm Building smiles, from blackened complacent gums. Abject species once collected now live in crystals Which keep morbid existential figures in a Spectacle of imprisioned aberrations Teratogenic dilacerations, artistically caved at birth Inspire suprarealistic conceptions of human sculptures THIS IS HOW WE ARE! Behold this garden of monstrosities! Collection of anomalies which reflects the beauty In the wall mirrors of this palace of horror Aversive aesthetic pleasure by immobile contemplation of bestiary Through so subtle deformations that stay in the lanes of normality Strangely attached to the monstrous – siamystic vertebras Enthusiastically smashed cosmogony By visceragonic jaws Which devour resounding abortive explosions Lovely existence! From a tiny and strident fissure And thus so obtuse drawing themselves Exposed wounds in perverse anatomic forms Cynicism – eternally ephemeral and unknown I tear off my eyes So I can’t see my fragile condition
3.
Cranioscopy 06:44
CRANIOSCOPY (Rômulo Ballestê) Perforating slowly, the drill crosses the cranium Laboratorial investigation- invasive experimental surgery A mechanical life invades to observe Strange eyes walk inside the cranial box Passing over the meninges, gelatinous cortical mass Is exposed and internally you see Artificial intelligence implanted to observe no mechanic life Staring glass eyes invade the human brain to manipulate his life, his world Invasion, dominance, sarcastic manipulation Exploiting machines, everything will be controlled Cranioscopy Secret researches to unmask the morphofunctional aspects, Cytoarchitectural connective areas of control centers of the nervous system My nightmares are not trapped in this gelatin The secrets of my insanity won`t be revealed To the lenses of your invasive camera Mutilation, gradual incapacitation, neural disarticulation, Cerebral excavation, vegetative state, lobotomy.
4.
A WORM GROWS IN THE WOMB OF A DEAD WOMAN (Rômullo Ballestê and Luiz Dorea) Dead after the pleasure, that naked body now it stenches Absolutely rotten? In her life would it indeed be so strange Lost perennity, last fallibility An everseen form of life? Through her death- there lives An aberrance we cannot assume Where lies fading the source of all our life A worm grows so graciously We, this worm- eaten in the mourning Assuming dead voices Meeting everflowing dead suns We, this unfertile hope That a new day could anyway begin From the bowels of this fermentative carcass A brutal anguish it stenches Foul dead humankind From thy decomposition we break out putrefying Nasty creeping by abject gestures Devouring all that dead flesh From his own decaying cradle Men`s birth is their own abortion So repulsive to recognize Anathematize by repugnant ways Where inexists that old kind nature Kiss those lips once gave you pleasure This naked body whose fertile dead womb- we dwell in.
5.
LIVID CORPSE`S IDIOSYNCRASIES (Luiz “Cliff” Dorea) Down in the dirtiest streets I knew nothing of my destiny Surrounded by my scars, the scent of visceral flesh Evisceratrix! There is now nothing but rotten members of mutilated corpses I think it is a nice truth: My organs totally exposed So I shall tell thee All my idiosyncrasies When I started to travel through myself Terrified, I saw my misery Unfortunately I am not ready to die Afraid to awake, to look inside But my wounds, they make me happy: They prove that I am perishing -and anyway I`ll pass away With a knife I cut all the members and so my desire is to eat`em all to eat the flesh, swallow the blood through arteries and veins My blood and flesh, they don`t deserve it so - I argue but I shall chew them, devour them all and so restart the cycle of my Peristaltic Movements In my mouth I fell so acrid but anyway it tasted good! By enzymatic activities Digestion now, it crosses me - the scent of my faeces Not belong to myself now I dreg me and unchain me - to myself.
6.
COLONIZING THE ORBITAL CAVITY (Rômulo Ballestê) I collect all these eyes! They preserve the truthful horror of their death, fixedly. I reconstruct an act in apparent putrid silence With blades I purge the truth - Kept forever in that dead tomb. Entombed in its own dumb corpse. Corpses … opened, searched, sutured Another body waits on the table. Necropsy … listening to the dead ones Search for understanding what they say with their mangled bodies. Screams of pain echo in the halls. Talk to me! Invoking the truth of your organs, tell me with bile, blood and faeces, your last contractions. Vultures of the Humanity… Tailors of the Death. These bodies are closed Scarecrows inhabited by the cadaveric maggots that procreate in each orifice. This silent emptiness that now remains may be filled by decomposition. Orbital cavity colonized by worms – cadaverous fauna.
7.
DESINTEGRATION OF HUMAN TISSUE (Rômulo Ballestê) The gradual perishableness warms it’s certain death Yet the acceleration of the decomposing process has begun When bile inundes the blood So, dissolved in eternal acid, in a corrosive ocean Organs melt within the carcass still alive In rapid putrefaction Bubbles are formed, then burst Without my flesh, they molest my bones Dissolving the flesh, carving it from bones Muscles are exposed, whitened tendons Once torn, brutal desintegration is revealed We`re born rotting Rotting from birth We follow rotting through to death Cellular death won`t cease - multiple failure Internal excavation of organs and viscera Through acid, intense haemorrhage Tissues undone, eschatological images from the cadaveric. - The end.
8.
EPILEPTIC GRINDER (Rômulo Ballestê) A groan- and a body falls Sudden alteration of electric depolarization of the cerebral cells Awareness in alteration- hallucinations Foaming salivation increases, the tongue is lacerated By the bite that is choking Fear without consciousness Brutal convulsion- muscles in spasm The skull beats against the ground resulting in microfractures, microvessels in rupture Surgical steps of structural alterations in the cortex, it must be done Withdrawing temporal cerebral epileptogenic tissue - The cure?
9.
Bizarre 06:38
BIZARRE (Rômulo Ballestê) Through deep incisions mutilating the face by sharpened blade Dilated pupils staring the mirror Don`t see the images, there`s no pain, there`s no reflection Cutting and cutting, the traces appearing Drawing in a raw sketch his own new face Being sharpened the beauty on his own flesh Brutal lacerations writhing the skin Your will is a relief for the entire putrid flesh That now is exposed Willing to belong to a world of images Images painted by haemorrhages Your skin- that screen Aberrations- normality Almost all the faces are masks of the Misshapen skin and scars Invisible and insane monstrosity Completely blind Bizarre, we are bizarre! Inhuman repulsive abnormality of his own sick mind That builds a pretty mask decomposing your cadaverous face Thousand nails cross his eyes, for they`ve never seen anything Brutal lacerations writhing the skin You will is a relief for the entire putrid flesh That now is exposed Willing to belong at a world of images Images painted by haemorrhages Your skin- the screen

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released December 26, 2017

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Peristaltic Movement Rio De Janeiro, Brazil

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